Wednesday, 27 March 2013

THE DEAD

  Although 'The Dead' by James Joyce is quite similar to the other short stories in 'Dubliners', it is the ultimate ending of the book, the very last short story that discusses the intersection of life and death in extreme detail. Through a quick glance, 'The Dead' seems like a story about an annual Christmas party held at the house of the Morkan Sisters. It might be so, but we have to dig down deeper in order to fully comprehend what is actually taking place at the party.

  It is true that Joyce goes describing about the guests at the party who enjoy good singing and dancing. However, this party should not be the main focus of 'The Dead' as it only provides a very shallow outlook of the whole story; on the other hand, Gabriel, the main protagonist, has to be viewed with a deep scrutiny. Gabriel undergoes an epiphany that leaves a huge impact on him which he finds hard to accept.

  Gabriel is introduced as a very egotistical person; he does not care about other people, and this selfishness is first shown in his encounter with Lily. He offends her with his words, but his egocentricity prevents him from realizing what he has done wrong. Then he gets worried about his highly educated speech which he fears that the guests might not understand what it actually means.

  This is where the epiphany comes in; in his speech, Gabriel talks about how the past is supposed to be only remained as the past, and how people should move forward. But this perspective is attacked by his wife's confession about her first love - Michael Furey. Seeing his wife buried deep in her thoughts about Michael, Gabriel realizes for the first time how his view is being challenged. He accepts that the past, or the dead, can actually leave a larger impact than the present.

A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.
  Joyce dissolves the concept of epiphany in his story through senses; in 'The Dead', he uses the sense hearing to signal how the main protagonist gets to learn about the reality.

  Although 'The Dead' is extremely long compared to other short stories, it seems shorter due to its plot. In other words, the story literally captivates the reader's attention that he has to finish the story.

  Then, what is so fascinating about 'The Dead'? I think the themes of the past, present, life, and death involve the readers to actually sympathize with and argue about the points Joyce makes. Here, snow represents paralysis, how everything is actually trapped in the past that it cannot advance. But opinions differ; snow, on the other hand, can actually represent a new cycle. Snow usually does not take long to melt, and spring proceeds after winter passes by. Therefore, snow might foreshadow a brighter future.

  'The Dead', like other stories of modernism, has a very open ending. The readers can only conjecture about what is actually going to happen to all the protagonists including Gabriel. He might undergo a complete transformation into a considerate human being, or choose to remain as a self-centered figure he is now. He might start loving his wife sincerely, or decide to divorce her, angered at her treachery.

  In overall, 'The Dead' describes the concept of life and death that can actually be extremely controversial due to its open ending. However, the point Joyce tries to make is very lucid through his usage of epiphany Gabriel experiences. I believe that 'The Dead' is one of the most exciting stories we have read, and are going to read during our World Literature class.

Wednesday, 20 March 2013

#3 ARABY

PARAGRAPH [final ver.] 

 From a distance, James Joyce's 'Araby' might appear to be a story about a teenage boy who falls into a deep chasm of love he cannot climb out of. After all, when the nameless narrator describes his passionate love towards Mangan's sister as stated in paragraph 12(What innumerable follies~monotonous child's play), it is quite evident that he considers her to be a 'holy' type of figure he worships. However, on the other hand, Joyce actually seems to be talking about something much more than just shallow, childish love; he is emphasizing that fairy tales do not exist, and that love between Snow White and the prince is all fake that is to be viewed with distrust. We often accept the norm that love is divine, but this is not necessarily true. Love can be tainted, just like that between the young lady and the two men at the bazaar; it need not be, and is not so pure as many people assume. We are often deceived by the seemingly sacred facade of love described in many romantic literary works, and this concept has placed itself in our subconsciousness for a prolonged period of time. The narrator tries to convey to the readers the sense of idealism that he has for the girl in the opening paragraphs until he goes to Araby, but this perspective gets distorted when the epiphany hits him hard, when he learns about the disparity between reality and fantasy. This sudden, intuitive perception of reality the narrator undergoes shatters his romatic view of love that primarily focused on imagination. Basically, Joyce destroys the concept of idealized love wholly using an open ending which is very realistic and modernistic, and a cynical description of the bazaar that is far from being an “exotic far east” romance of any kind. Romantics focused a lot on “exotic” themes, or images from a distant past or place unlike Joyce who gained sympathy of the readers by making his story accessible. Therefore, it is perhaps more accurate to assume that 'Araby' is a text criticizing those trapped in their own dream world: those who crave and yearn for what they cannot achieve in reality. In this sense, 'Araby' is a story that provides a pessimistic, yet alternative view of love that is not reaching towards the satisfaction of romanticism, and through vivid descriptions and a lucid characterization of the protagonists, Joyce develops a concrete plot that is very well-structured.